|Study location||United Kingdom, Egham, Surrey|
|Type||Bachelor courses, full-time|
|Nominal duration||3 years|
|Tuition fee||To be confirmed|
High school / secondary education (or higher)
The entry qualification documents are accepted in the following languages: English.
Often you can get a suitable transcript from your school. If this is not the case, you will need official translations along with verified copies of the original.
IELTS: 6.5 overall (with 7.0 in writing and a minimum of 5.5 in all other subscores)
At least 1 reference(s) must be provided.
A motivation letter must be added to your application.
How do film and television interact with society? Do audio-visual media simply reflect the world around us, or do they help to make it what it is? By combining Film Studies (75% of your course) with Philosophy (25%) you’ll bring different and exciting approaches to the understanding of film.
Our unique 360˚ approach to cinema allows you to understand film from every angle: from stars to directors, historical origins to contemporary economics, socio-political contexts, to aesthetic achievements and from the dynamics of screenplays to the global cultures that shape production, reception and film form itself. You’ll come away from the course speaking confidently about concepts and ideas, with the ability to deftly critique them, too – ideal skills for the communication industries, creative arts and beyond.
Taking this approach, you will study film and television from Hollywood and Europe, Bollywood, Asia and Latin America alongside a range of more experimental non-narrative film, television and digital media forms.
You’ll get a comprehensive grounding in the history and theory of moving image media, including the opportunity to undertake courses in screenwriting. After a grounding in the key theoretical and historical aspects of film in your first year, you can go on to explore those topics that intrigue you and capture your attention in film and television’s rich artistic, social and political traditions.
Film Studies: Film, Television and Digital History
This module introduces you to film, television and digital media history with a particular emphasis on how and where digital media intersect and converge with these moving image forms. The module spans the late 19th century through to the current epoch of convergence media. You will consider how even ‘old’ technologies were ‘new’ at some point, exploring the relationship between technological, social and aesthetic developments in new media forms. This broad historical sweep provides you with a chronological knowledge to complement and contextualise the bespoke theoretical emphasis of other core modules in either Film and Television or Digital Culture.
Film Studies: Introduction to Critical Theory and Textural Analysis
This module concentrates on how we study film and television, introducing you to key debates in critical theory. Over four distinct blocks of lectures and seminars, you will gain an opportunity to explore a range of different methods in studying film, television and digital media—including artistic achievement and critical interpretation; close textual analysis; ideological analysis; national cinema and psychoanalysis. Each method asks questions about the relationship between the intentions of individual film- and programme-makers and wider processes. Across the module you will study films and television programmes in close detail, examining one a week, thinking about the relationship between how something is achieved and what it means.
Film Studies: Introduction to Narrative
This module addresses patterns of narrative across different media (film, television, documentary, digital media). A variety of approaches to the question of narrative are taken, including: narrative structure; patterns and distinctions in storytelling methods and styles; point of view; the social and cultural context of narrative; adaptation; postmodern and open-ended narrative; issue-driven narrative; television’s live and drama narrative structures; transmedia and digital media’s narrative logics.
Film Studies: International Film – Contexts and Practices
This module will introduce you to some key tenets of film theory and apply them to a selection of important pre- and post-war European and international films. It will familiarise you with the analysis of aspects of film style, genre and national and international contexts. The set films on the module will include canonical works from a century of cinema history, by filmmakers such as Joseph von Sternberg, Alfred Hitchcock and Pedro Almodovar, and significant examples of technique and style.
Epistemology and Metaphysics
In this module you will develop an understanding of some of the key problems that have preoccupied contemporary philosophers. You will look at logical questions relating to the structure of arguments, epistemological questions about the sources and limits of knowledge, and consider metaphysical questions that explore the relationship between minds, bodies, and the possibilities of human freedoms.
Introduction to Logic
In this module you will develop an understanding of the formal study of arguments through the two basic systems of modern logic – sentential or propositional logic and predicate logic. You will learn how to present and analyse arguments formally, and look at the implications and uses of logical analysis by considering Bertrand Russell’s formalist solution to the problem of definite descriptions. You will also examine the the broader significance of findings in logic to philosophical inquiry.
Mind and Consciousness
In this module you will develop an understanding of the relationship between the mind and the brain. You will examine the key theories, from Descartes’ dualist conception of the relationship between mind and body through to Chalmers’s conception of consciousness as ‘the hard problem’ in the philosophy of mind. You will also consider some of the famous thought experiments in this area, including Descartes’s and Laplace’s demons, the Chinese Room and the China Brain, Mary and the black-and-white room, and the problem of zombie and bat consciousness.
Introduction to Aesthetics and Morals
In this module you will develop an understanding of the central problems and debates within moral philosophy and aesthetics. You will look at questions relating to both metaphysical and ethical relativism, including the ways we view our moral commitments within the world, how the individual is related to society, and the value and nature of the work of art. You will also examine approaches from the history of philosophy, including the Anglo-American tradition and recent European philosophy.
Introduction to European Philosophy 1 – From Kant to Hegel
In this module you will develop an understanding of the major debates in European and some Anglo-American philosophy. You will look at the key texts by eighteenth and nineteenth century philosophers Immanuel Kant and Georg Wilhelm Friedrich Hegel, examining the continuing significance of their ideas. You will consider the major espistemological, ethical and aesthetical issues their idea raise, and the the problems associated with the notion of modernity. You will also analyse the importance of the role of history in modern philosophy via Hegel’s influence.
Mind and World
All modules are optional
In addition to these mandatory course units there are a number of optional course units available during your degree studies. The following is a selection of optional course units that are likely to be available. Please note that although the College will keep changes to a minimum, new units may be offered or existing units may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.
You will not only learn a range of key transferable skills across the degree but also underpin these with a thorough grounding in the history and theory of film and TV, and understanding of the economic and power structures behind media production – invaluable for careers in creative companies who want to look ahead to future trends.
Our graduates have gone in to the film, television and digital production sector, a wide-range of jobs in the communications industries and careers in high-level research positions, such as for the House of Lords, Barclays Bank and more.
We are currently NOT ACCEPTING applications from NON-EU countries, except Georgia and Serbia.